You hear the
description ‘visual feast’ too often. Far more often
than it actually applies, in fact. But in this case it is accurate. When
someone told me that in this film the flappers would be dancing to hip hop and
F. Scott Fitzgerald’s book would be a distant memory, I wondered whether Baz
Luhrman had gone too far.
The answer was no.
Moulin Rouge was an exceptional film. Romeo and Juliet was impressive
too. The Great Gatsby is a delightful assault on the senses – another
phrase that is probably used too frequently but again is accurate here. The
critics have been too harsh if you ask me.
First off the book
is certainly far more present than I was led to believe. Carraway narrates the
story from its enticingly mysterious opening through to the melancholy ending,
and much of the story is in place where it should be and is more than
recognisable.
The soundtrack
contains some modern music, as I was pre-warned, but is also chock full of
powerful jazz saxophone and piano melodies that reflect the mood of the scene,
and somehow Luhrman manages to make this look perfectly right alongside the
luxurious settings and lavish costumes of the 1920s, which feel totally correct
in their accuracy.
Besides the amazing
visuals, Leonardo DiCaprio craved the most attention, as is fitting for the
character, and he looks more comfortable in his own skin these days. His portrayal
of Jay Gatsby was exactly what I wanted, and despite the character’s age being
lowered for the film, again it worked.
Yes, there are
elements of the film that I would have changed, and there was a great deal of
creative licence used – necessary in some parts when one remembers the length
of the novel and the lack of detail and dialogue surrounding some elements of
the story – but I can’t fit the criticism I have read with the film I watched.
I loved it and as soon as it finished I was left with the feeling that I wanted
to watch it all over again.
Elloise Hopkins.